Literary Fiction

NoViolet Bulawayo’s bold new novel follows the fall of the Old Horse, the long-serving leader of a fictional country, and the drama that follows for a rumbustious nation of animals on the path to true liberation.

Inspired by the unexpected fall by coup in November 2017 of Robert G. Mugabe, Zimbabwe’s president of nearly four decades, Glory shows a country’s imploding, narrated by a chorus of animal voices that unveil the ruthlessness required to uphold the illusion of absolute power and the imagination and bulletproof optimism to overthrow it completely. By immersing readers in the daily lives of a population in upheaval, Bulawayo reveals the dazzling life force and irresistible wit that lie barely concealed beneath the surface of seemingly bleak circumstances.

A RECOMMENDED READ FROM: The Washington Post• Atlanta Journal-Constitution • CrimeReads • Library Journal

A gripping, radically intimate debut novel about a group of enslaved women staging a covert rebellion against their owners

On a struggling Texas plantation, six enslaved women slip from their sleeping quarters and gather in the woods under the cover of night. The Lucys—as they call the plantation owners, after Lucifer himself—have decided to turn around the farm’s bleak financial prospects by making the women bear children. They have hired a “stockman” to impregnate them. But the women are determined to protect themselves.

Now each of the six faces a choice. Nan, the doctoring woman, has brought a sack of cotton root clippings that can stave off children when chewed daily. If they all take part, the Lucys may give up and send the stockman away. But a pregnancy for any of them will only encourage the Lucys further. And should their plan be discovered, the consequences will be severe.

Visceral and arresting, Night Wherever We Goilluminates each woman’s individual trials and desires while painting a subversive portrait of collective defiance. Unflinching in her portrayal of America’s gravest injustices, while also deeply attentive to the transcendence, love, and solidarity of women whose interior lives have been underexplored, Tracey Rose Peyton creates a story of unforgettable power.

JJ Fergusonhas returned home to Pinewood, North Carolina, to build his dream house and to pursue his high school sweetheart, Ava. But as he reenters his former world, where factories are in decline and the legacy of Jim Crow is still felt, he’s startled to find that the people he once knew and loved have changed just as much as he has. Ava is now married and desperate for a baby, though she can’t seem to carry one to term. Her husband, Henry, has grown distant, frustrated by the demise of the furniture industry, which has outsourced to China and stripped the area of jobs. Ava’s mother, Sylvia, caters to and meddles with the lives of those around her, trying to fill the void left by her absent son. And Don, Sylvia’s unworthy but charming husband, just won’t stop hanging around. 

JJ’s return—and his plans to build a huge mansion overlooking Pinewood and woo Ava—not only unsettles their family, but stirs up the entire town. The ostentatious wealth that JJ has attained forces everyone to consider the cards they’ve been dealt, what more they want and deserve, and how they might go about getting it. Can they reorient their lives to align with their wishes rather than their current realities? Or are they all already resigned to the rhythms of the particular lives they lead? 

No One Is Coming to Save Us is a revelatory debut from an insightful voice: with echoes of The Great Gatsby it is an arresting and powerful novel about an extended African American family and their colliding visions of the American Dream. In evocative prose, Stephanie Powell Watts has crafted a full and stunning portrait that combines a universally resonant story with an intimate glimpse into the hearts of one family.

Winner of the 2023 NAACP Image Award for Outstanding Literary Work – Fiction

“Deeply empathetic yet unflinching in its gaze…an unforgettable exploration of responsibility and redemption.”—Celeste Ng

Inspired by true events that rocked the nation, a searing and compassionate new novel about a Black nurse in post-segregation Alabama who blows the whistle on a terrible injustice done to her patients, from the New York Times bestselling author of Wench

Montgomery, Alabama, 1973. Fresh out of nursing school, Civil Townsend intends to make a difference, especially in her African American community. At the Montgomery Family Planning Clinic, she hopes to help women shape their destinies, to make their own choices for their lives and bodies.

But when her first week on the job takes her along a dusty country road to a worn-down one-room cabin, Civil is shocked to learn that her new patients, Erica and India, are children—just eleven and thirteen years old. Neither of the Williams sisters has even kissed a boy, but they are poor and Black, and for those handling the family’s welfare benefits, that’s reason enough to have the girls on birth control. As Civil grapples with her role, she takes India, Erica, and their family into her heart. Until one day she arrives at their door to learn the unthinkable has happened, and nothing will ever be the same for any of them.

Decades later, with her daughter grown and a long career in her wake, Dr. Civil Townsend is ready to retire, to find her peace, and to leave the past behind. But there are people and stories that refuse to be forgotten. That must not be forgotten.

Because history repeats what we don’t remember.

Inspired by true events and brimming with hope, Take My Hand is a stirring exploration of accountability and redemption.

These powerfully rendered, prizewinning stories, working-class African Americans across the South strive for meaning and search for direction in lives shaped by forces beyond their control.

The ten stories in this resonant collection deal with both the ties that bind and the gulf that separates generations, from children confronting the fallibility of their own parents for the first time to adults finding themselves forced to start over again and again.

In “Highway 18” a young Jehovah’s Witness going door to door with an expert field-service partner from up north is at a crossroads: will she go to college or continue to serve the church? “If You Hit Randall County, You’ve Gone Too Far”tells of a family trying to make it through a tense celebratory dinner for a son just out on bail. And in the collection’s title story, a young girl experiences loss for the first time in the fallout from her father’s relationship with her babysitter.

Startling, intimate, and prescient on their own, these stories build to a kaleidoscopic understanding of both the individual and the collective black experience over the last fifty years in the American South. With We Are Taking Only What We Need, Stephanie Powell Watts has crafted an incredibly assured and emotionally affecting meditation on everything from the large institutional forces to the small interpersonal moments that impress upon us and direct our lives.

The tales of one family and their larger-than-many-lives sister, Antoine, weaves together the vibrant, epic story of Guadeloupe and its diaspora in Where Dogs Bark with Their Tails.

This is Antoine’s life story: an ill-fated romance between her upper-class mother and farmer father; a childhood spent deep in the countryside; the splendors and slums of Guadeloupe’s great city, Pointe-à-Pitre; the eruption of modernity; the rifts in a deeply hierarchical society under colonial rule―and the reasons she left it all behind. And to whom might she tell it? 

A young woman born on the outskirts of Paris yearns to understand her lineage and métis identity. Her memories of occasional childhood visits are all that connects her to her father’s home. It is at her request that old Aunt Antoine, the eccentric and indomitable matriarch of the Ezechiels, unwinds the unforgettable tale of their family and with it a rich, layered account of Guadeloupe and its diaspora over the course of the twentieth century. 

Spanning decades as it crosses the Atlantic, with lush language and vivid descriptions, Estelle-Sarah Bulle’s Where Dogs Bark with Their Tails examines the legacies of capitalism and colonialism, what it means to be caught between worlds, how it feels to lose our most beloved, and what stories might help us reconcile past, present, and future.

Zadie Smith’s dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith’s voice is remarkably, fluently, and altogether wonderfully her own.

At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith.