Historical

In this enchanting love story from the New York Times bestselling author of Seven Days in June, a free-spirited florist and an enigmatic musician are irreversibly linked through the history, art, and magic of Harlem.

“The book’s calculus of love and loss is brutal, and grounds the dazzling prose and light magical element.” –– The New York Times
 
“With humor, soulful prose and a touch of magical realism, Williams takes a creative chance with RICKI WILDE that’ll make it one of your most memorable reads of 2024.” –– People

What readers are saying on Goodreads:
 
“I am a Tia stan at this point. It was perfect.” 
 
“Gave me all the feels, and even made me question my own personal goals.”  
 
“Hands down one of the best stories of love I’ve ever read. A true masterpiece.” 
 
“The perfect story of Black love and Black history. I feel like this book was written for my soul.”
 
“Atmospheric, haunting, beautiful, lyrical, I could wax poetic on this story forever and never do it justice.”

Leap years are a strange, enchanted time. And for some, even a single February can be life-changing.

Ricki Wilde has many talents, but being a Wilde isn’t one of them. As the impulsive, artistic daughter of a powerful Atlanta dynasty, she’s the opposite of her famous socialite sisters. Where they’re long-stemmed roses, she’s a dandelion: an adorable bloom that’s actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her.

When regal nonagenarian, Ms. Della, invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning. She leaves behind her family, wealth, and chaotic romantic decisions to realize her dream of opening a flower shop. And just beneath the surface of her new neighborhood, the music, stories and dazzling drama of the Harlem Renaissance still simmers.

One evening in February as the heady, curiously off-season scent of night-blooming jasmine fills the air, Ricki encounters a handsome, deeply mysterious stranger who knocks her world off balance in the most unexpected way.  

Set against the backdrop of modern Harlem and Renaissance glamour, A Love Song for Ricki Wilde is a swoon-worthy love story of two passionate artists drawn to the magic, romance, and opportunity of New York, and whose lives are uniquely and irreversibly linked. 

Winfred Rembert grew up in a family of Georgia field laborers and joined the Civil Rights Movement as a teenager. He was arrested after fleeing a demonstration, survived a near-lynching at the hands of law enforcement, and spent seven years on chain gangs. During that time he met the undaunted Patsy, who would become his wife. Years later, at the age of fifty-one and with Patsy’s encouragement, he started drawing and painting scenes from his youth using leather tooling skills he learned in prison

A sensitively told and vibrantly illustrated story of Black history from its very ancient origins to its dynamic future.

When Paloma goes to visit her family in Trinidad, she doesn’t feel that she fits in. But Tante Janet has a story to tell her: An ancient story of warrior queens and talking drums, of treasures and tales that span thousands of years . . . a story that Paloma shares in, because her story, too, starts in Africa.

Join Tante and her inquisitive niece as they share the story of how her family came to the Caribbean, through the dark days of colonization and enslavement, to the emergence of a thriving, contemporary community of many faces, places and successes.

All too often, children’s books dealing with “Africa” are reductive with little mention or explanation of modern Africa and too much focus on traditional costume, dancing and animals. This book offers a new approach to caregivers wanting to talk about Black history and Blackness from its very origins, sensitively told and vibrantly illustrated.

Appropriate for ages 4 – 8.

From the Civil War to our combustible present, White Rage reframes our continuing conversation about race, chronicling the powerful forces opposed to black progress in America–now in paperback with a new afterword by the author, acclaimed historian Carol Anderson.

As Ferguson, Missouri, erupted in August 2014, and media commentators across the ideological spectrum referred to the angry response of African Americans as “black rage,” historian Carol Anderson wrote a remarkable op-ed in The Washington Postsuggesting that this was, instead, “white rage at work. With so much attention on the flames,” she argued, “everyone had ignored the kindling.”

Since 1865 and the passage of the Thirteenth Amendment, every time African Americans have made advances towards full participation in our democracy, white reaction has fueled a deliberate and relentless rollback of their gains. The end of the Civil War and Reconstruction was greeted with the Black Codes and Jim Crow; the Supreme Court’s landmark 1954 Brown v. Board of Education decision was met with the shutting down of public schools throughout the South while taxpayer dollars financed segregated white private schools; the Civil Rights Act of 1964 and Voting Rights Act of 1965 triggered a coded but powerful response, the so-called Southern Strategy and the War on Drugs that disenfranchised millions of African Americans while propelling presidents Nixon and Reagan into the White House, and then the election of America’s first black President, led to the expression of white rage that has been as relentless as it has been brutal. 

Carefully linking these and other historical flashpoints when social progress for African Americans was countered by deliberate and cleverly crafted opposition, Anderson pulls back the veil that has long covered actions made in the name of protecting democracy, fiscal responsibility, or protection against fraud, rendering visible the long lineage of white rage. Compelling and dramatic in the unimpeachable history it relates, White Rage will add an important new dimension to the national conversation about race in America.