Afro-Latinidad

Award-winning journalist Natasha S. Alford grew up between two worlds as the daughter of an African American father and Puerto Rican mother. In American Negra, a narrative that is part memoir, part cultural analysis, Alford reflects on growing up in a working-class family from the city of Syracuse, NY.

In smart, vivid prose, Alford illustrates the complexity of being multiethnic in Upstate New York and society’s flawed teachings about matters of identity. When she travels to Puerto Rico for the first time, she is the darkest in her family, and navigates shame for not speaking Spanish fluently. She visits African-American hair salons where she’s told that she has “good” hair, while internalizing images that as a Latina she has “bad” hair or pelo malo.

When Alford goes from an underfunded public school system to Harvard University surrounded by privilege and pedigree, she wrestles with more than her own ethnic identity, as she is faced with imposter syndrome, a shocking medical diagnosis, and a struggle to define success on her own terms. A study abroad trip to the Dominican Republic changes her perspective on Afro-Latinidad and sets her on a path to better understand her own Latin roots.

Alford then embarks on a whirlwind journey to find her authentic voice, taking her across the United States from a hedge fund boardroom to a classroom and ultimately a newsroom, as a journalist.  

A coming-of-age story about what it’s like to live at the intersections of race, culture, gender, and class, all while staying true to yourself, American Negra is a captivating look at one woman’s experience being Negra in the United States. 

As the movement to highlight Afro-Latin identity and overlooked histories of the African diaspora grows, American Negra illustrates the diversity of the Black experience in the larger fabric of American society.

The colors of Hispaniola burst into life in this striking, evocative debut picture book that celebrates the joy of being Dominican.

If Dominican were a color, it would be the sunset in the sky, blazing red and burning bright.
If Dominican were a color, it’d be the roar of the ocean in the deep of the night,
With the moon beaming down rays of sheer delight.

The palette of the Dominican Republic is exuberant and unlimited. Maiz comes up amarillo, the blue-black of dreams washes over sandy shores, and people’s skin can be the shade of cinnamon in cocoa or of mahogany. This exuberantly colorful, softly rhyming picture book is a gentle reminder that a nation’s hues are as wide as nature itself.

Appropriate for ages 4 to 8.

A rousing, beautifully observed, and tender-hearted debut poetry collection about identity, culture, home, and belonging—for fans of Jasmine Mans and Fatimah Asghar
 
“We, children of plátanos, always gotta learn to play in everyone else’s backyard and somehow feel at home.”
 
Poet and musician Melania Luisa Marte opens PLAINTAINS AND OUR BECOMING by pointing out that  Afro-Latina is not a word recognized by the dictionary. But the dictionary is far from a record of the truth. What does it mean, then, to tend to your own words and your own record—to build upon the legacies of your ancestors? 
 
In this imaginative, blistering poetry collection, Marte looks at the identities and histories of the Dominican Republic and Haiti to celebrate and center the Black diasporic experience. Through the exploration of themes like self-love, nationalism, displacement, generational trauma, and ancestral knowledge, this collection uproots stereotypes while creating a new joyous vision for Black identity and personhood.
 
Moving from New York to Texas to the Dominican Republic and to Haiti, this collection looks at the legacies of colonialism and racism but never shies away from highlighting the beauty—and joy—that comes from celebrating who you are and where you come from. PLANTAINS AND OUR BECOMING is “a full-throated war cry; both a request for anointment and the responding bendición” (Elizabeth Acevedo).

An instant New York Times and USA Today bestseller, featured on The Today Show and CBS Mornings. 
Glamour: Best Books for Book Clubs

Soledad Barnes has her life all planned out. Because, of course, she does. She plans everything. She designs everything. She fixes everything. She’s a domestic goddess who’s never met a party she couldn’t host or a charge she couldn’t lead. The one with all the answers and the perfect vinaigrette for that summer salad. But none of her varied talents can save her when catastrophe strikes, and the life she built with the man who was supposed to be her forever, goes poof in a cloud of betrayal and disillusion.

But there is no time to pout or sulk, or even grieve the life she lost. She’s too busy keeping a roof over her daughters’ heads and food on the table. And in the process of saving them all, Soledad rediscovers herself. From the ashes of a life burned to the ground, something bold and new can rise.

But then an unlikely man enters the picture—the forbidden one, the one she shouldn’t want but can’t seem to resist. She’s lost it all before and refuses to repeat her mistakes. Can she trust him? Can she trust herself?

After all she’s lost . . .and found . . .can she be brave enough to make room for what could be?

In Wild Tongues Can’t Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. Full of both sorrow and joy, Wild Tongues Can’t Be Tamed is an essential celebration of this rich and diverse community